Locus Iste examines the theory, history, and practice of architecture in service of liturgy and worship through research and blogging, design consultancy, and photography.
Locus iste a Deo factus est,
inaestimabile sacramentum,
irreprehensibilis est.


























































































































Featured Articles
Robert Proctor of the Glasgow School of Art concludes an important and expansive research project examining the under-appreciated British Catholic churches of 1955-1975.
Photographs and analysis from church-crawling two finely-crafted chapels in Dallas, Texas.
The unique condition of two cathedrals built in the same city at the same time provides a rare opportunity to compare two built responses to similar criteria.
Description and examples of an oft-overlooked feature of church architecture with profound liturgical, formal and symbolic meaning and great design potential.
Review of a Progressive Architecture award-winning small private chapel whose design features a highly successful adaptation of rural vernacular through the subtle manipulation of a re-used quonset structure.
A brief examination of buildings and building imagery in the gospels as an investigation into Christ's views on architecture (if any).
A new crucifix by Charles Lutyens, currently placed in St Paul, Bow Common, illustrates not only a promising direction for contemporary liturgical art, but also the potential for artworks, buildings, and furnishings to work in concert.
A preliminary proposal for a very succinct method for adding a use-based typology of Liturgical Arrangements to existing stylistic descriptions.
A cause for celebration. The new convent at Notre Dame du Haut, Ronchamp (sans its final landscaping) had its grand opening celebration in early September.
Shigeru Ban designs another paper structure for the aid of natural disaster victims, this time a Cathedral in Christchurch, New Zealand.
The avdat font at St Francis Basilica Cathedral, Santa Fe features a beautiful grate just below the surface of the water that allows the font to remain full without losing its profound imagery to the building code.
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From a visit to one of the Painted Churches of Texas: a magnificently restored Romanesque Revival in the German Catholic town of Lindsay.